In the early seventies, exotica had long since gone out of fashion, but Nardini and Roger were to compose one of the masterpieces of the genre, offering exotic and refined pop that was conducive to the most overflowing imagination. Close to psychedelia on some tracks, the two composers also use subterfuges of their predecessors from the fifties such as bird songs and jungle animal cries, tribal percussion and female choirs of sacred music without forgetting the romantic melodies of Bagheera, the main title of this album.